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Recycling Last night I gave a talk about parish churches to an appreciative local audience. January is usually a quiet month for talks – people tend not to book me to travel far in the unpredictable winter weather, but this talk was in a venue so close by I could easily have walked there, had it not been for the impedimenta (laptop, projector, extension lead, notes, wires, and other odds and ends) that I take with me on such occasions. One picture that got a strong reaction was a wall made of rubble in a Cotswold churchyard, a place I’ve already featured on this blog. It reminded me that a few weeks ago I came across another example of a wall partly made of recycled bits and pieces at Loxley in Warwickshire. The winter afternoon was already coming to an end by the time I got there and found somewhere to park, and in the low light I thought I’d got the measure of the building as I looked at it from the road: medieval beginnings with lots of changes in the Georgian period including the ...

A well for all seasons? Before leaving Combrook, the parish church of which featured in my previous post , I want to share this less obvious feature of the village. It’s one of two well heads, built around the same time as the church and I’d guess designed by the same architect, John Gibson. It has an ogee arch, the double-curved design that is characteristic of the 14th-century Gothic that inspired the church’s west front, and if you look very closely at this opening you can see that it’s decorated with ballflowers, another 14th-century motif. I take this well head to be more evidence of the care that the landlord was bestowing on this village in the 19th century. The church, two well heads, the former village school (it’s now the village hall) and several of the houses were built or rebuilt in this period. Along with the houses, the water supply was the most important facility of all, and giving the well this kind of ornate gable in white lias and limestone (complete with coat of arm...

Ornamental Thoughts of St Augustine, Kilburn , were still in my mind recently when I visited Combrook, a village in Warwickshire, not far from the Fosse Way. Combrook was an estate village of Compton Verney and seems to have had a lot of attention paid to it in the mid-19th century, when a number of cottages were built or rebuilt, a school was erected, and the church given a new nave. The architect of the church was John Gibson, who was also at work making alterations to the great house of Compton Verney in the early 1860s. Gibson gave the church a striking west front, a visual highlight in the centre of the village. The style of this front is Gibson’s very ornate version of what the Victorians often called ‘Middle Pointed’, that’s to say the phase of Gothic fashionable in the first half of the 14th century. Elaborate window tracery, naturalistic carving, and ogee arches are typical features. However, this frontage is hardly typical. It’s a Victorian throwing everything a...

Small but perfectly formed Before I return to regular posting, I would like to offer my readers one more selection of past posts, to celebrate this blog's tenth anniversary . This, time, I've chosen a handful of very small buildings. This is in part a reminder that, over the past decade, the English Buildings blog has taken pride in noticing very small structures that many people pass by without a thought. It's also, in a way, a tribute to the great architectural writer Nikolaus Pevsner and the colleagues with whom he worked. A very long time ago I bought my first volume in his Buildings of England series: it was Gloucestershire: The Cotswolds , and I added it to my shelves shortly after it came out, in the 1970s. In fact, it was one of the volumes not actually written by Pevsner – the great man was getting old and realised that the only way to complete the series was to enlist some help. So the Gloucestershire volumes were written by local expert David Verey. Be that as i...