Artillery Row, London


Call the nymphs and the fauns from the woods

Terracotta panels stretch across English buildings of the late-19th century like a riotous procession of ornament slowly drowning in sunset. The sunset of the gods. And sometimes it is gods, or creatures who live with the gods of classical mythology, alongside the more usual architectural decorations, the strapwork, foliage, and sunflowers that also appear with profusion in this kind of ornament. A lot of this sort of stuff is here, running along the walls of Westminster Palace Gardens in London’s Victoria, to delight the eye and puzzle the mind.

My details show a representative sample: naked nymphs and/or goddesses, including a reclining one with a sickle (perhaps a corn or harvest goddess like Ceres), small childlike figures with hirsute legs (fauns?), one attempting to grab at a passing bird. More birds, some of which merge into the scrolls and strap work that weave in and out of the background. It was towards the end of the day when I last passed, and the roseate burnt clay panels were glowing.  
So that afternoon the panels were beautifully effective, as they have been on such afternoons since 1899, when the block was completed to designs by C J Chirney Pawley. The finishing touch is the ceramic lettering above the entrance, just visible here, using a very clear letterform but with the odd concession to the style of the period, such as the little flourish on the A. The decoration is a winning mix, then, of urban and rural. I’m glad that nymphs and fauns sport a few yards from the bustle and traffic of Victoria Street.

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There are more images on Victorian Web, here.

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