Hastings, East Sussex


Phoenix

I was delighted to learn last night* that the Royal Institute of British Architects has awarded its annual Stirling Prize for Britain’s best new bulding to Hastings Pier. Going back to 1872, the pier was a popular entertainment venue, but closed in 2008 after storm damage. In 2010 there was a fire, which nearly finished the pier off for good.† But the people of Hastings and its council rose to the considerable challenge of restoring and rebuilding the structure, raising money locally, enlisting the help of the Heritage Lottery Fund, and finding 3,000 shareholders to buy a stake in the project at £100 a share.

A RIBA design competition was won by dRMM Architects, who have masterminded the restoration and creative reimagining of the pier. The 19th-century structural ironwork, hidden below deck, has been painstakingly restored and strengthened. The surviving Victorian pavilion, one of two buildings on the pier, has been transformed into an open plan, glazed café-bar.

The vast pier deck has been set aside as an uninterrupted flexible expanse for large-scale concerts, markets and public gatherings. The new timber-clad visitor centre building in the centre of the pier has a viewing deck on its roof providing a dramatic space for visitors to experience epic views along the coast and across the English Channel. The architects have used timber throughout the project, much of it reclaimed from the original pier. The reclaimed timber has also been used to create the pier’s striking new furniture, manufactured locally as part of a local employment initiative. It is a cause for celebration Hastings once more has the pier it deserves and that the project’s quality has been recognised by RIBA.
Hastings Pier: new building with reclaimed timber cladding

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* I share this information in part for British readers who may have been distracted from it last night by Hallowe’en or by television (apparently there was the final of some sort of cake-baking programme on).
† I posted about the fire damage here.
Photographs James Robertshaw (top) and Franceso Montaguti (bottom)

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